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50 Oak Street  San Francisco, CA 94102-6011

 

1. ÀÔÇÐ Á¤º¸ ( Adimission Information )


*ÀÔÇÐ ¿ø¼­ ¸¶°¨ÀÏ ( Admission Dates and Deadlines )

9¿ù Çб⠵î·Ï ( Fall Enrollment ) : 12¿ù 1ÀÏ
º½Çбâ ( Spring Semester) : 10¿ù 1ÀÏ

 

* ¿Àµð¼Ç ³¯Â¥ ¿Í ÀåÇÐ±Ý ½Åû ¸¶°¨ÀÏ

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2. ÀÔÇРüũ ¸®½ºÆ® ( Application Checklist )


* ÀÔÇÐ Áö¿ø¼­ ( www.unifiedapps.org )

* ÀÔÇзá/ ¿Àµð¼Ç ÀüÇü·á : $ 100 ( Application / Audution fee )

* °³ÀÎ ¿¡¼¼ÀÌ ( Personal statement )

* 2°³ÀÇ Ãßõ¼­ ( Letters of recommendation in sealed envelopes )

* ¼ºÀû Áõ¸í¼­¿Í Á¹¾÷ Áõ¸í¼­ ( Transcripts or certified translations )

*¿µ¾î (English) -

¿Ü±¹ÇлýµéÀº ¹Ýµå½Ã TOEFL(Test of English as a Foreign Language) ½ºÄھ ³»¾ßÇÔ.

TOEFL 500 ÀÌ»ó - 1¿ù±îÁö Á¦Ãâ. Professional Studies DiplomaÀÇ °æ¿ì TOEFL 450

¶Ç´Â ELS 109 ·¹º§ÀÌ»óÀÏ °æ¿ì TOEFL ¸éÁ¦



3. ÃÑ ºñ¿ë

Tuition and Fees for 2007-2008

 

Çкñ Full-time tuition (academic year) $29,980

Room and Board(academic year)- $ 9,450

Books- $580 / Personal Expenses $ 2,000/ Health Insurance $ 1.100/ MUNI ride $174

Total $43,282

 


4. ±³À°°úÁ¤Á¤º¸ ( Education Information)

´ëÇÐ ( Undergradute ) : Çлç ÇÐÀ§ ( Bachelor of Music ), Music Diploma

´ëÇпø ( Graduate ) : ¼®»çÇÐÀ§ ( Master of Music )

Artist Certificate, Postgraduate Diploma in Vocal Performance

Professional Studies Diploma in Instrumental Performance

 

 

5. ¿Àµð¼Ç °î



* Piano Àü°ø

ÇлçÇÐÀ§(Undergraduate)

A complete work from each of the following periods:

Baroque (a Prelude and Fugue from the W.T.C. or a fugal movement from a Suite)

Classical (a complete sonata by Haydn, Mozart, Beethoven or Schubert)

Romantic (a work from the 19th century)

Contemporary (a work from the 20th or 21st century).

´ëÇпø(Graduate)

A major work of Bach (partita, toccata, suite, etc.)

an entire Classical sonata

a Romantic work equal in difficulty to a Chopin ballade or scherzo

a 20th-century work equal in difficulty to the Copland Variations or the Bartok Suite Op. 14.

 

 

* Violin Àü°ø

ÇлçÇÐÀ§(Undergraduate)

Bach solo violin sonatas and partitas (two contrasting movements)

movement of a standard concerto

two etudes

one composition of the applicant's choice (optional).

¼®»çÇÐÀ§(Graduate)

Two contrasting movements of a Bach sonata or partita

one Paganini caprice or brilliant concert piece

one complete Romantic or contemporary concerto; one movement of a Mozart concerto (optional).

 

* Cello Àü°ø

ÇлçÇÐÀ§(Undergraduate)

One movement from a standard concerto

two contrasting movements from a Bach suite

one short work from the 20th-century repertoire

¼®»çÇÐÀ§(Graduate):

Two contrasting movements of a Bach cello suite

one movement of a sonata and one movement of a concerto, one of which must be from the 20th century.


* Voice Àü°ø -2007³âºÎÅÍ Pre-screening CD ÇÊ¿ä

ÇлçÇÐÀ§(Undergraduate):

An Italian aria or song from the 17th or 18th century (sung in Italian or English translation)

two songs in English (not a translation)

a piece chosen by the applicant

a reading of a short poem in English chosen by the applicant. This reading does not need to be memorized.

¼®»çÇÐÀ§(Graduate):

Two opera arias in contrasting styles

three art songs in contrasting styles in three different languages, one of which must be English. The arias and songs must include pieces in German, French and Italian

a piece chosen by the applicant; a reading of a short poem in English chosen by the applicant. This reading does not need to be memorized.

* ÀÛ°î Àü°ø (Composition)

1. Three or more scores in various media that show evidence of original musical thought and fundamentals of compositional technique. Tape compositions are acceptable, but applicants must also show competence in traditional notation in the scores submitted. Computer-generated scores should be checked for correct transpositions, appropriate accidentals, and normal spellings. Scores are due by December 15.

2. Demonstrated ability at the piano. It is strongly recommended that this be done at a live audition, either at the Conservatory or at one of the regional audition sites. One complete piece should be performed from three of the following periods: baroque, classical, romantic, and twentieth century. In addition, the applicant is encouraged to perform at least one composition that is their own. Should piano not be the candidate's 'primary' instrument, the applicant is encouraged to play repertoire on their primary instrument IN ADDITION to the piano requirements. The composition department reserves the right to pre-screen all submitted scores and to invite only those applicants who pass the pre-screening process to attend the live or regional piano audition/interview. If you are eligible to submit a taped audition in lieu of attending a live one, piano tapes are due with your scores on December 1.

 

* Flute Àü°ø

ÇлçÇÐÀ§(Undergraduate):

One work from each category (does not need to be memorized)

1. Any of the sonatas of J.S. Bach or Mozart concerti in G or D.

2. Sonatas: Hindemith, Piston, Martinu, or Poulenc, or a sonata of equivalent difficulty.

3. Pieces: Chaminade Concertino, Faure Fantasie, Enesco Cantabile and Presto, or a piece of equivalent difficulty.

¼®»çÇÐÀ§(Graduate):

One work from each category (does not need to be memorized):

1) Concerti: Mozart D Major (with cadenzas), Ibert, Nielsen, or comparable.

2) Sonatas: Martinu, Reynolds, Prokofiev, Gaubert, or comparable.

3) Orchestral excerpts.

 

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