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Eastman School of Music

26 Gibbs Street, Rochester, NY 14604-2599


1. ÀÔÇÐ Á¤º¸ ( Adimission Information )

*ÀÔÇÐ ¿ø¼­ ¸¶°¨ÀÏ ( Admission Dates and Deadlines )

9¿ù Çб⠵î·Ï ( Fall Enrollment ) : 12¿ù 1ÀÏ

¿Àµð¼Ç : 2008³â 2¿ù 1ÀÏ-3 ¿ù 1ÀÏ(¸ÅÁÖ ±Ý¿äÀϰú 3¿ù 1ÀÏ)



2. ÀÔÇРüũ ¸®½ºÆ® ( Application Checklist )


* ÀÔÇÐ Áö¿ø¼­ ( Completed and signed application )

* ÀÔÇзá/ ¿Àµð¼Ç ÀüÇü·á : $ 100 ( Application / Audution fee )

* ¿Àµð¼Ç ÀÚ·á ¾ç½Ä ( Audition information form )

* Ãßõ¼­ ( Letters of recommendation in sealed envelopes ) 3Åë

* ·¹ÆÄÅ丮 ¾ç½Ä ( Rrepertoire form )

* ¼ºÀû Áõ¸í¼­¿Í Á¹¾÷ Áõ¸í¼­ ( Transcripts or certified translations )

* °³ÀÎ ¿¡¼¼ÀÌ ( Personal essay )

* ¿Àµð¼Ç ÇÁ·Î±×·¥ ( Audition Program )

* ¿Àµð¼Ç Å×ÀÙ ( Audition CD )

*¿µ¾î (English) ¿Ü±¹ÇлýµéÀº ¹Ýµå½Ã 12¿ù 1ÀϱîÁö TOEFL(Test of English as a Foreign Language) ½ºÄھ ³»¾ßÇÔ -TOEFLÀÌ ¾øÀ» °æ¿ì´Â ¿Àµð¼Ç ÃÊûÀ» ¹ÞÁö ¸øÇÒ ¼ö ÀÖ½À´Ï´Ù

 


3. ÃÑ ºñ¿ë

Tuition and Fees for 2007-2008

Çкñ Full-time tuition (academic year) $ 31,720/ $29,740(Transfer)

±â¼÷»ç ºñ¿ë Room Rent $ 6,100

½Ä´ë Board $3,608 - $4,798

-> 1³â ÃÑ ºñ¿ë ¾à $ 45,000


4. ±³À°°úÁ¤Á¤º¸ ( Education Information)

´ëÇÐ ( Undergradute ) : Çлç ÇÐÀ§ ( Bachelor of Music )

´ëÇпø ( Graduate ) : ¼®»çÇÐÀ§ ( Master of Music ), µðÇ÷θ¶ ( Diploma ), ¾ÆÆ¼½ºÆ® µðÇ÷θ¶ ( Artist Diploma )

¹Ú»çÇÐÀ§ ( Doctor of Musical Arts )


 

5. ¿Àµð¼Ç °î



Prescreening(12¿ù 1ÀϱîÁö)

  • Undergraduate - ÀÛ°î, ÀçÁî, Çö´ëÀ½¾Ç, ÇǾƳë, ¼º¾Ç
  • Graduate-ÀÛ°î, ÁöÈÖ, À½¾ÇÇÐ, ÀçÁî, Çö´ëÀ½¾Ç, À½¾Ç±³À°ÇÐ, ÇǾƳë, ¼º¾Ç

 

* Piano Àü°ø

Prescreening requirement: By December 1, all undergraduate and graduate piano performance applicants must submit a preliminary audition compact disc or tape. The prescreening CD/tape must be a minimum of 30 minutes in duration and include one virtuoso etude and at least two works representing different styles. Please see the online application for more information on prescreening. The following lists repertory requirements by degree for applicants invited to a live audition and those auditioning only by recording.

BM
Applicants must prepare an audition program to be performed from memory, including:

  • One virtuoso concert etude
  • A work by Bach that contains a fugue
  • A complete classical sonata by Haydn, Mozart, Beethoven, or Schubert
  • One Romantic work from the 19 th century
  • One work from the 20 th or 21 st century.

MM
Applicants must prepare a 45-minute audition program, to be performed from memory, including one virtuoso concert etude and at least three works representing contrasting styles.

DMA
Applicants must prepare a 60-minute audition program, to be performed from memory, including one virtuoso concert etude and at least three works representing contrasting styles. An audition in Rochester is required

 

* Çö¾Ç±â

* Violin Àü°ø

BM
Each of the following:

  • A movement of a concerto from the standard repertory by a composer such as Mozart, Mendelssohn, or Bruch
  • Two contrasting movements from an unaccompanied Bach sonata or partita, or two contrasting movements from a Baroque sonata by a composer such as Handel or Corelli
  • An etude from one of the standard etude books, such as those of Kreutzer, Fiorillo, Rode, or Dont
  • Three-octave major and minor scales and arpeggios

MM, DMA
Prepared repertory should include solo Bach, a complete concerto, and a Paganini caprice or its equivalent.

 

* Violincello Àü°ø

Prescreening requirement: By December 1, all undergraduate and graduate cello applicants must submit a preliminary audition recording. The prescreening CD must include 2 movements of an unaccompanied work by Bach and one movement from a standard concerto. Please see the online application for more information on prescreening. The following lists repertory requirements by degree for applicants invited to a live audition and those auditioning only by recording.

BM
Each of the following:

  • One movement of a standard concerto of moderate difficulty, such as Saint-Saens, Lalo, or Romberg
  • Two movements of a standard sonata, such as Sammartini G Major, Francoeur E Major, or Boccherini A Major
  • Two contrasting movements of a Bach suite
  • Two contrasting etudes (e.g., Popper numbers 6 and 8, or Duport numbers 1 and 7)
  • Major and minor scales and arpeggios in three or four octaves

MM, DMA
Prepared repertory should include solo Bach, a complete concerto, and other works from the standard repertory.

 

 

* ¸ñ°ü Woodwinds

* Flute Àü°ø

BM
Each of the following:

  • A Mozart concerto
  • A sonata by Bach, Handel, or Telemann
  • A solo piece of your choice
  • Orchestral excerpts as appropriate to training and experience

MM, DMA
Prepared repertory should include the undergraduate repertory in addition to a work from the contemporary solo literature and orchestral excerpts.

 

* Oboe Àü°ø

BM
Each of the following:

  • Any concerto from the standard repertory (such as Mozart, Marcello, Strauss, etc.) OR any sonata from the standard repertory (such as Handel or Hindemith)
  • A standard study, such as Barret or Ferling
  • Orchestral excerpts as appropriate to training and experience

MM, DMA
Prepared repertory should include contemporary solo literature and orchestral excerpts. Possible sight-reading.

 

* Clarinet Àü°ø

BM
Each of the following:

  • Mozart or Weber concerto
  • Debussy Premiere Rapsodie or other French solo piece
  • Excerpts from Rose 32 Etudes
  • Orchestral excerpts as appropriate to training and experience

MM
Prepared repertory should include contemporary solo literature and orchestral excerpts, as well as the first movement of either Brahms sonata. Possible sight-reading.

DMA
Same requirements as for the Master of Music degree, with the addition of the Nielsen or Copland Concerto

 

* Bassoon Àü°ø

BM
Each the following:

  • Standard concerto (i.e., Mozart, Weber)
  • One or two etudes such as are found in Milde Concert Studies, Vol. I
  • Two contrasting orchestral excerpts of the applicant's choice as appropriate to training and experience


MM, DMA
The applicant should prepare solo literature of contrasting styles, and several contrasting orchestral excerpts.

 

* ¼º¾Ç Àü°ø

BM
Three pieces in varying musical styles, in three different languages, one of which may be English. Non-native speakers of English must perform one piece in English.
MM, DMA
Four pieces in varying musical styles, in at least three different languages, one of which may be English. Non-native speakers of English must perform one piece in English.