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150 West 85th Street New York, NY 10024
1.
ÀÔÇÐ Á¤º¸ ( Adimission Information )

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¿ø¼ ¸¶°¨ÀÏ ( Admission Dates and Deadlines )
9¿ù
Çб⠵î·Ï ( Fall Enrollment ) : 12¿ù 1ÀÏ
2007³â
¿ø¼Á¢¼ö ¸¶°¨ÀÏ : 2006³â 12¿ù 1ÀÏ
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3¿ù 5ÀÏ-3¿ù12ÀÏ
5¿ù 23ÀÏ-5¿ù 24ÀÏ
2.
ÀÔÇРüũ ¸®½ºÆ® ( Application Checklist )

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ÀÔÇÐ Áö¿ø¼ ( www.unifiedapps.org )
*
ÀÔÇзá/ ¿Àµð¼Ç ÀüÇü·á : $ 100 ( Application / Audution fee )
*
°³ÀÎ ¿¡¼¼ÀÌ ( Personal statement )
*ÀåÇÐ±Ý Áö¿ø¼ (Mannes Scholarship Essay)
*
Ãßõ¼ ( Letters of recommendation in sealed envelopes )
*
¿Àµð¼Ç ÀÚ·á (Pre-screening recording for Piano, violin, flute and
voice concentrations)
*
¼ºÀû Áõ¸í¼¿Í Á¹¾÷ Áõ¸í¼ ( Transcripts or certified translations )
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(English) -
¿Ü±¹ÇлýµéÀº ¹Ýµå½Ã TOEFL(Test of English as a Foreign Language)
½ºÄھ
³»¾ßÇÔ. Mannes English testÀÖÀ½
TOEFL
550 ÀÌ»ó - 2¿ù 1ÀϱîÁö Á¦Ãâ. Á¡¼ö ¹Ì´Þ½Ã 4ÁÖ ¶Ç´Â 8ÁÖÀÇ
summer English ¼ö¾÷¿ä
*À½¾Ç ½ÃÇè (Musicianship Placement Exams)
3.
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Tuition
and Fees for 2005-2006
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Full-time tuition (academic year) $25,560 / Professional
Studies Diploma $18,110
Lessons for a second major or concentration $ 6,000
Residence
Hall Charges - $ 8,000 ~$ 12,000
4.
±³À°°úÁ¤Á¤º¸ ( Education Information)

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( Undergradute ) : Çлç ÇÐÀ§ ( Bachelor of Music ), Undergraduate
Diploma(±³¾ç°ú¸ñ Á¦¿Ü)
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( Graduate ) : ¼®»çÇÐÀ§ ( Master of Music ),
Professional
Studies Deploma
5.
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Piano Àü°ø
ÇлçÇÐÀ§(Undergraduate)
-¾Ï±âÇØ¼ ¿¬ÁÖ
1. A prelude and fugue from The Well-Tempered
Clavier or two contrasting movements from a keyboard suite by
J. S. Bach.
2. A sonata of Mozart or Beethoven (excluding
Op. 49 and Op. 79).
3. A 19th-century composition (solo piece, not
concerto).
4. A 20th-century composition (solo piece, not
concerto) or an additional 19th-century composition.
´ëÇпø(Graduate)
*Refer to the repertoire
list for undergraduates for repertoire guidelines.
*Applicants
must perform a program comprised of complete works from the
standard repertoire, representative of contrasting stylistic
periods.
*Master
of Music applicants must perform at an advanced level. Professional
Studies applicants must perform at a highly advanced level
* Çö¾Ç±â
*
Violin Àü°ø
-Pre-screening
1. Exposition and cadenza from one movement
of a concerto from the standard repertoire.
2. One movement from an unaccompanied Bach Sonata
or Partita
3. One Paganini caprice
-Live-Audition
ÇлçÇÐÀ§(Undergraduate)-
¾Ï±âÇØ¼
¿¬ÁÖ
1.
Scales and arpeggios in three octaves, scales in thirds and
octaves in all major and minor keys.
2.
Etudes by Kreutzer, Rode and Fiorillo, or more difficult etudes
chosen by the applicant.
3.
Two contrasting movements from an unaccompanied Bach sonata
or partita.
4.
A fast and slow movement from any standard concerto.
5.
A short salon piece by Kreisler or Sarasate or a comparable
short work by a 19th- or 20th-century composer. 1. major, minor
scales°ú 3°³ÀÇ octave arpeggios
¼®»çÇÐÀ§(Graduate)
*Refer
to the repertoire list for undergraduates for repertoire guidelines.
*Applicants
must perform a program comprised of complete works from the
standard repertoire, representative of contrasting stylistic
periods.
*Master
of Music applicants must perform at an advanced level. Professional
Studies applicants must perform at a highly advanced level.
*
Cello Àü°ø
-Pre-screening
1.
First movement of a cello concerto from the standard repertoire.
2.
Any two movements of a Bach suite for unaccompanied violoncello.
3.
A slow and fast movement from a sonata in contrasting style
from the other repertoire requirements.
4.
An etude by Popper
-Live-Audition
ÇлçÇÐÀ§(Undergraduate)-¾Ï±âÇØ¼
¿¬ÁÖ
1. Scales and arpeggios in all major and minor
keys.
2. An etude by Popper.
3. Two contrasting movements from a Bach suite
for unaccompanied violoncello.
4. A fast and slow movement from any standard
concert
¼®»çÇÐÀ§(Graduate):
*Refer to the repertoire list for undergraduates
for repertoire guidelines.
*Applicants must perform a program comprised
of complete works from the standard repertoire, representative
of contrasting stylistic periods.
*Master of Music applicants must perform at
an advanced level. Professional Studies applicants must perform
at a highly advanced level.
* Voice Àü°ø
ÇлçÇÐÀ§(Undergraduate):
1. An Italian composition of the seventeenth
or eighteenth century.
2. An art song in German or French.
3. An aria from an opera or oratorio (sung in
the original language).
4. An aria or art song in English.
¼®»çÇÐÀ§(Graduate):
*Refer
to the repertoire list for undergraduates for repertoire guidelines.
*Master
of Music applicants must perform at an advanced level. Professional
Studies applicants must perform at a highly advanced level.
*
ÀÛ°î Àü°ø (Composition)
ÇлçÇÐÀ§(Undergraduate):
1.
Applicants must submit representative compositions of the past
two years.
2.
Applicants must demonstrate above-average ability in theory
and ear training.
3.
Applicants will be interviewed by members of the Composition
Department in order to ascertain their knowledge of music and
general musical culture, as well as competency on an instrument.
4.
Applicants may submit examples of advanced work in music theory.
¼®»çÇÐÀ§(Graduate):
1. Candidates must submit at least four compositions
in diverse media representative of their work during the previous
three years, preferably including one work for orchestra.
2. Candidates are expected to demonstrate the
following:
a. Competence and fluency in harmony and counterpoint
(including chromaticism and imitative counterpoint).
b. Experience in writing pieces in traditional
styles and forms (fugue, sonata, motet, etc.).
c. Competence in sight-singing.
d. Competence in melodic, harmonic, and contrapuntal
dictation.
e. Some ability to read scores at the piano.
3. Faculty members will interview candidates
in order to determine their general background and musical knowledge.
4. Applicants are encouraged to bring to their
interview samples of their work in harmony, counterpoint, and
music analysis.
*
Flute Àü°ø
-Pre-screening
1.
Mozart - Exposition of the 1st and 2nd movements of the G or
D Major Concerto.
2.
A contrasting piece of the applicant's choice.
3.
Orchestral Excerpts - Applicant must pick three from the following
list:
a.
Beethoven: "Eroica" Symphony, last movement-measures 172-200
b.
Beethoven: Leonore Overture No. 3-measures 328-360
c.
Brahms: Symphony No. 4, last movement-measures 93-105
d.
Debussy: Prelude to the Afternoon of a Faun-measures 1-4
e.
Mendelssohn: Scherzo from "A Midsummer Night's Dream"- two measures
before P to the end.
ÇлçÇÐÀ§(Undergraduate):
1.
One etude showing the applicant's level of technical and musical
ability.
2.
Two major solo works of contrasting styles.
3.
A Mozart concerto (1st and 2nd movements).
4.
Four standard orchestral excerpts.
¼®»çÇÐÀ§(Graduate):
1. A complete Mozart concerto
2. Two major solo works of contrasting styles.
3. Five standard orchestral excerpts
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